Jazz Money (she/they) is a poet and artist of Wiradjuri heritage producing works that encompass installation, digital, performance, film and print.
Their writing has been widely published nationally and internationally, and performed on stages around the world, including: TEDx Sydney, the Edinburgh International Book Festival, the Sydney Opera House, Literature Live! Mumbai, Performance Space New York, PEN International, and a wide range of arts and literary festivals in every Australian state and territory.
Jazz's first poetry collection, the best-selling how to make a basket (UQP, 2021) was the 2020 winner of the David Unaipon Award. In 2023 she is a Clothing Store resident artist at Carriageworks in Sydney.
As a cross-disciplinary artist their work has been presented in public settings and leading institutions including: HeK Basel, Switzerland; The Shed, New York; Pivô, São Paulo; Palais de Tokyo, Paris; Museum of Contemporary Art, Sydney; ACMI, Melbourne; Powerhouse, Museum of Applied Arts & Sciences, Sydney; Carriageworks, Sydney; Fremantle Biennale; Hyphenated Biennale; and others.
Working across different mediums, Jazz’s practice is centred around questions of narrative and legacy: place memory, First Nations memory, colonial memory and the stories that we tell to construct national and personal identity.
Jazz Money (she/they) is a poet and artist of Wiradjuri heritage producing works that encompass installation, digital, performance, film and print.
Their writing has been widely published nationally and internationally, and performed on stages around the world, including: TEDx Sydney, the Edinburgh International Book Festival, the Sydney Opera House, Literature Live! Mumbai, Performance Space New York, PEN International, and a wide range of arts and literary festivals in every Australian state and territory.
Jazz's first poetry collection, the best-selling how to make a basket (UQP, 2021) was the 2020 winner of the David Unaipon Award. In 2023 she is a Clothing Store resident artist at Carriageworks in Sydney.
As a cross-disciplinary artist their work has been presented in public settings and leading institutions including: HeK Basel, Switzerland; The Shed, New York; Pivô, São Paulo; Palais de Tokyo, Paris; Museum of Contemporary Art, Sydney; ACMI, Melbourne; Powerhouse, Museum of Applied Arts & Sciences, Sydney; Carriageworks, Sydney; Fremantle Biennale; Hyphenated Biennale; and others.
Working across different mediums, Jazz’s practice is centred around questions of narrative and legacy: place memory, First Nations memory, colonial memory and the stories that we tell to construct national and personal identity.